{"version":"1.0","provider_name":"Miller Thomson","provider_url":"https:\/\/www.millerthomson.com\/en\/","author_name":"Katherine Chan","author_url":"https:\/\/www.millerthomson.com\/en\/author\/chank\/","title":"AI in music: The Drake\/Tupac case and beyond | Miller Thomson","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dIoUs9qNP7\"><a href=\"https:\/\/www.millerthomson.com\/en\/insights\/publications\/ai-in-music-drake-tupac-case\/\">AI in music: The Drake\/Tupac case and beyond<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.millerthomson.com\/en\/insights\/publications\/ai-in-music-drake-tupac-case\/embed\/#?secret=dIoUs9qNP7\" width=\"600\" height=\"338\" title=\"&#8220;AI in music: The Drake\/Tupac case and beyond&#8221; &#8212; Miller Thomson\" data-secret=\"dIoUs9qNP7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.millerthomson.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"In a matter of days, Drake\u2019s latest release went from making headlines around the world to being taken down amidst threats of legal action from the estate of arguably one of the most revered and popular rap artists of all time, Tupac Shakur. The crux of the matter: the struggle between copyright and the use [&hellip;]"}